Iron maiden wanda metropolitano

Iron maiden – wanda metropolitano

Dickinson has been great. He has not stopped for a second, being far above his physical level even in other tours. And that’s not to say little, precisely… He sang incredibly well, reaching some very demanding notes. His interpretation has gained in drama. He is more and more theatrical, representing each song, looking for the scenic element that transports him to the story he wants to tell us, with his poses, his costumes, the use of props?
For his part, Harris continues, after the huge amount of shows offered throughout his long professional career, with that smile, that spirit, that desire to eat the stage of the first day. His illusion is maximum and nothing less than 100% for his fans. It is amazing to see all this in someone of his status. Next to him, Nicko’s base has been brutal as always, with his usual punch, although in some passages I noticed him maybe a little slower. Although it is possible that it was just my perception.

Iron maiden en madrid fear of the dark. (wanda metropolitano

Por fin había llegado el tan esperado día de ver a Maiden, este es un grupo al que nunca nos cansaremos de ver en directo. En este caso la cita era en el Wanda Metropolitano de Madrid. Estaban bien cubiertos, al igual que los grupos Sabaton (a los que hemos visto en directo en tres ocasiones; Rock Fest, Resurrección y Palacio de los Deportes), y Gojira, (nunca habíamos tenido la oportunidad de verlos, y a pesar de que nos parecen lejanos en el estilo de los otros dos, estábamos deseando verlos también)
Nos sorprendió y nos hizo ilusión entrar en el nuevo estadio del Atlético de Madrid, en el que nunca habíamos estado hasta entonces, y cuya acústica a pesar de cualquier mala crítica nos pareció espectacular. El lugar es enorme y la ubicación excelente.
Es bueno saber para los que van al Wanda usando el transporte público, que es mejor tener mucho tiempo de antemano, de lo contrario se llega tarde. Y eso es lo que sufrimos nosotros, que no pudimos llegar a tiempo para ver a Sabaton. Una vez que conseguimos una fila hasta el contorno del estadio pudimos ver las largas filas que había detrás, por no hablar del calor de julio. Afortunadamente había gradas con bebidas, (hace tiempo que vimos desaparecer la bebida antes que los hielos). Sin embargo, pronto estuvimos dentro, ya que la cola era rápida. Entramos así una vez que Sabaton acababa de terminar y justo antes de que Gojira empezara a tocar, por lo que pudimos situarnos en una posición no muy lejana, ni muy centrada, para evitar el agobio. Tenemos que decir que nos hemos encontrado con algunas malas críticas sobre el acceso al estadio, y es que Madrid, en su línea de una mala organización dejando entrar a la gente, siempre consigue que haya gente que se pierda los primeros grupos. Y luego nos sorprenderá que los grupos no quieran venir…

Iron maiden – run to the hills at wanda metropolitano 14.07

With a revamped stage design and a repertoire equally different from previous tours, this Legacy of the Beast World Tour kicks off with Aces High and Where Eagles Dare and a large fighter plane flying over a stage that also features guitarists Dave Murray, Adrian Smith, Janick Gers and drummer Nicko McBrain. In an atmosphere of collective euphoria, Iron Maiden fans feel this reunion as a necessary ceremony of collective reaffirmation rather than a concert. And that assures success in advance, beyond the fact that the band is still in top form despite the passing of the decades.

Iron maiden – the trooper (multicam) – wanda metropolitano

I guess the vast majority of Maiden fans will more or less agree that Virtual XI is the weakest of the 16 albums released by the maiden throughout her vast career. Some …
After forty-five minutes of energetic heavy metal, military pants, war stories from all corners of the world and choreographies, Sabaton faced the end of their concert with the whistled melody that gives way to «To Hell and Back», retiring amid applause and ovations that rewarded a performance that, despite sounding pretty bad, more than fulfilled what was asked of them. The Swedes may be simplistic and all you want (which they are), but live they are a sure value and, in today’s circumstances, they seemed to me an ideal choice.
The opening «Only Pain» already sounded magnificent, but when they got into their stride with «L’Enfant Sauvage», one of my favorite songs, it went up to stratospheric levels. Not to mention what happened when they started playing the brutal intro of the spectacular «Flying Whales». That’s when I started to gorge myself in my seat/cage (funny thing about headbanging sitting down), only to open my eyes after a while and see everyone around me absolutely impassive. I was almost offended by the fact that people didn’t know or didn’t want to appreciate the great set that the French were playing. In fact, Joe Duplantier himself commented at one point that he feared their performance was going to be a real disaster and that everyone was going to sweat them. He said that from where he saw it it wasn’t so bad either, although the truth is that they only got a few sincere ovations when they made an occasional mention to Iron Maiden. Malaguanyats, you.